Sir Edward Elgar’s sublime Cello Concerto receives an impassioned new With additional works by Sir William Walton and Gustav Holst, as well as a miniature. 1 May Matthew Barley joins Charles Hazlewood to explore William Walton’s Cello Concerto. 9 May The BBC work page for Cello Concerto by William Walton. Find upcoming concerts, watch performances, and learn more about the music.
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Views Read Edit View history. After the highly romantic opening melody accompanied by strings alone the cello leads into a first variation coloured by fluid rhythms and the use of harp, vibraphone and celesta.
Introduction by Pieter Wispelwey. The premiere of the concerto, for which Piatigorsky was joined by conceerto Boston Symphony Orchestra conducted by Charles Munch, took place in Boston in Januarythe same forces reassembling to record it a few days later. Cello concertos Compositions by William Walton compositions Music commissioned by ensembles or performers. But whether flower or bird, or just exquisitely abstract, a concerto starting with a melody so uniquely overwhelming is bound to be loved for a very long time.
Hyperion offers both CDs, and downloads in a number of formats. The bold flourish, almost a recitative, with which the concerto opens is heroic in nature, it is true; but even within the strength of that first phrase, one can concerot a sense of uncertainty and loneliness—an emotional dichotomy that will recur throughout the concerto.
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conxerto In ocncerto way, perhaps, the sadness of the whole story seems appropriate to the tragic nature of the concerto—as the accounts of the violent riots at the premiere of The Rite of Spring seem to reflect the savage nature of that work.
Walton’s regular arranger, Roy Douglasmade an arrangement for cello and piano. Tell us what you think FAQ. The deeply poignant slow movement, in the key of B flat major as far away as one can get in the scale from the home key of E minor is song-like throughout—a heavy-hearted song indeed, fading into indefinite silence.
It was commissioned by and dedicated to the Russian cellist Gregor Piatigorsky. Invocation was written inat a time when Holst was involved with setting parts of the sacred Hindu script, the Rig Vedateaching himself Sanskrit for the purpose; both thematically and emotionally, Invocation seems to be connected to this work.
Cello Concerto (Walton)
The scherzo returns briefly to the headlong rhythms of the younger Walton before relaxing briefly into a more lyrical but still skittish trio. Imogen Holst was herself a major musical force as writer, educator and choral conductor; but she lived so much under the shadow of her father, and of Benjamin Britten, to whom she was for many years an amanuensis she, Britten and Peter Pears are all buried together in Aldeburgh churchyard that her own composing took a back seat.
Read more at Wikipedia. Underneath his crusty exterior, Walton was deeply insecure.
Loosely based on Bach’s works for solo cello, the work opens with an eight bar theme Lento espressivo. The Ciaconna close relation of the Passacaglia is a favourite form of both Bach and Britten and this finale is a five bar ground bass with 12 variations. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
I have a strong personal relationship with the two remaining works on this recording, both of which I am very happy to have recorded at last.
For his part, Piatigorsky loved both Walton and his music: Skip to main content. This entry is from Wikipediathe user-contributed encyclopedia.
WALTON Cello Concerto |
Artists Popular All Recommended. Moving quickly between emotional extremes, it retains an irrepressible forward momentum almost to the very end, signing off in an almost flippant gesture of dismissal. No patching sessions, every note played with some two thousand people listening. He had not yet seen the new version, but was excited at the prospect.
It received its first recording shortly after this, with the original forces. More works by William Walton. But it is in wslton coda of this finale from 6’07 that the message of the concerto as a whole is crystallized.
More by William Walton
There is plenty of fire in this work, but no anger; reflection, but no despair. Of the three Suites, the first, written for Zara Nelsova, is the most accessible. The last movement is structurally complex and texturally highly varied, a slow movement and finale rolled into one, waltin as theme and six variations of which the second and fourth are cadenza-like improvisations for solo cello.
If you find the biography content factually incorrect or highly offensive you can edit this article at Wikipedia. Susana Walton told friends that she believed that the work was a portrait of her marriage to Walton; whether or not that is strictly true, the concerto is certainly a deeply romantic work. See more works by this composer.
Elgar & Walton: Cello Concertos – CDA – Hyperion Records – MP3 and Lossless downloads
We got on very well, and the upshot was that she invited me to play her piece for solo cello, The fall of the leaffor her seventieth birthday concert at the Aldeburgh festival.
But after the first rehearsal, having met the maestro, the delightful orchestra and the recording team, there was a general feeling that conditions were right for a live CD recording. This page was last waltin on 18 Novemberat William Walton Cello Concerto.
Please help improve this article by adding citations to reliable sources. Don’t show me this message again. Perhaps, by breaking the ensuing silence with the return of the opening recitative, and then hurtling towards an abruptly dramatic ending, Elgar is reassuring conceeto and himself that the human spirit will—must—survive the darkness.
All should have been fine: